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DTSTART;TZID=Europe/London:20260301T174000
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DTSTAMP:20260430T150306
CREATED:20251028T113613Z
LAST-MODIFIED:20251209T141411Z
UID:3989-1772386800-1772404200@www.wagnerhallbrighton.co.uk
SUMMARY:White Wall Cinema: ONE EYED JACKS
DESCRIPTION:MARLON BRANDO’S 4K REMASTER\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n \n\n\n\n\n\nYou can buy tickets for this screening only or take advantage of our discount ticket for both nights of the Vista Vision weekend to see To Catch a Thief also.\n\n\n\nThis past year has seen the return of one of cinema’s most exciting formats\, with The Brutalist\, One Battle After Another\, the upcoming Emma Stone / Yorgos Lanthimos collaboration Bugonia\, the new Tom Cruise / Alejandro G. Iñárritu project\, the latest Margot Robbie / Jacob Elordi / Emerald Fennell film\, and new works from both M. Night Shyamalan and Greta Gerwig — all utilising the classic Paramount VistaVision process.\n\n\n\n\nBut what is it that is proving so irresistible to modern filmmakers\, it has prompted a widespread revival of a format that lay dormant for over sixty years? The answer lies in the magic of the select group of films produced during VistaVision’s original heyday. Over this very special VistaVision Weekend\, we present two of the most significant titles from that extraordinary list. \n\n\n\nOne-Eyed Jacks has a history as dramatic as the film itself. Originally penned by legendary director Sam Peckinpah (The Wild Bunch)\, production was first set to be helmed by Stanley Kubrick\, who departed just days before shooting began. In an extraordinary twist\, Marlon Brando—already hailed as the greatest actor of his generation—stepped in to direct\, creating what would become his only film as a director. \n\n\n\nWhat followed was the actor of actors directing as only a truly great actor could. Brando’s characteristic passion\, perfectionism\, and intensity pour from every frame. Working with master cinematographer Charles Lang (Some Like It Hot\, The Magnificent Seven)\, Brando crafts strikingly composed images and draws out a series of extraordinary performances from his cast—most notably from Pina Pellicer and Katy Jurado (High Noon)\, as well as his long time collaborator and friend Karl Malden\, with whom he had previously worked on A Streetcar Named Desire and On the Waterfront.  \n\n\n\nA meditation on friendship\, betrayal\, and revenge\, this romantic anti-Western stands as a one-of-a-kind work from one of cinema’s greatest and most enigmatic talents. \n\n\n\n\nDOORS: 5.40pm*\n\n\n\nSTART TIME: 6.10pm*\n\n\n\nRUN TIME: 141 mins\n\n\n\nCERT: PG (Under 16s must be accompanied by an adult)\n\n\n\n\n*Please note – doors open at 5.40pm\, Please try to allow extra time to get seated prior to the performance start time of 6.10pm. There will usually be no admittance from 20 minutes after the films stated start time. No hot food or alcohol from outside the premises is allowed. All alcoholic drinks consumed on the premises must be purchased from the bar as per the conditions of the venue’s licence \n\n\n\n\n\n\nTickets & More Info
URL:https://www.wagnerhallbrighton.co.uk/event/white-wall-cinema-to-catch-a-thief-2/
LOCATION:Wagner Hall
CATEGORIES:Cinema
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